Stripping the Caboose Roof

Over the 3 day weekend, John and the kids and I started to strip the
remaining original wood roof off WP668 and to put in the ceiling lighting. We
are working on the caboose in its storage area using a gas-powered
generator to drive the power tools. It is dirty heavy work but fun. We
came home filthy with splinters and bug bites and a sense of achievement.

WP668 is basically two wooden boxes in a steel frame. The ceiling boards
of the inner box are in very good shape, which is good because we want to
use them as is. The windows need replacement and the walls need patching and
repair. The floor is unsalvageable and needs replacement entirely. There
are now ten can lights inset down the center of the ceiling with two smaller
can lights inset over each bay window.

We were surprised to find that the original window rise into a space between
the inner and outer box – we had thought that the boxes’ surfaces touched in the walls.
Once the electrical ceiling work is done, we can insulate the space above, then put on
the new roof. Because there is space between the box walls, we may be able to
insulate the sides as well.

All of this work is being driven by the soon-to-start rainy season. It took
many months for the caboose to dry out after being soaked last year. We want at
least to get the roof in place before the rains start again.

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Scanning Old Images

We recently bought an HP full page scanner and I have been learning
to use it and to post the photos to our family web pages. I am
making selections from the many dozens of large plastic boxes
of family photographs from the late 1800s to the present that line
our basement walls. I spent much of the 3 day weekend sorting and scanning. Some of the changes shown in these pictures over time
are fascinating.

For example, here is my parent’s 1884 San Francisco Victorian house
in 1969, 1976, and now:

1969:

1969 San Francisco house,
photo: copyright 1969 Eleanor Dickinson
1976:

1976 San Francisco house,
photo: copyright 1976 Eleanor Dickinson
2006:

2006 San Francisco house,
photo: copyright 2006 Katy Dickinson
2006:
2006 San Francisco house,
photo: copyright 2006 Katy Dickinson
.

In almost 40 years, you can see that the house has been repainted
and restored a bit and of course the trees and yard plants have grown.
The real changes are in the surrounding houses, both of which have been
remodelled and restored extensively as the Victorian style and neighborhood have become more popular.

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Cottage for Sale, Must Be Moved

I just finished reading Cottage for Sale, Must Be Moved:
A Woman Moves a House to Make a Home

    by Kate Whouley
    Paperback: 336 pages
    Publisher: Ballantine Books; Reprint edition (April 26, 2005)
    ISBN: 034548018X

Since my family is in the middle of moving a caboose into our backyard, I found many of Kate Whouley’s experiences entertainingly familiar. Cottage for Sale describes the year-long experiences of the author (and her cat Egypt) in purchasing, moving, and marrying a tiny 1-bedroom cottage with her small 1-bedroom house on Cape Cod, Massachusetts. The author is a freelance consultant and writer who wanted a separate room for her office. Her entire house, after the cottage is added on, ends up smaller than 800 square feet, so this is a project and a book on an intimate scale.

Kate Whouley’s motivations for marrying two old houses rather than building a new addition seem partly the lower cost, partly aesthetics, and partly environmental – wanting to reuse and recycle. I share many of her values and motivations. Our own home was built around 1926 (before the land was part of San Jose) and is probably the oldest house in our area. Our neighborhood has recently been invaded by nasty new “monster houses” or “McMansions” – two storeys, 3,000 square feet or more, overwhelming their lots with big driveways, minimal yard space, massive garages, and ugly-or-at-best-boring design – replacing older 1,000 to 2,000 square foot cottages surrounded by large gardens. Check out The Not So Big House for more on the trend toward smaller, better built, spaces.

I don’t agree with all of Kate Whouley’s choices. Uncharacteristically, she put in a new mahogany wood deck rather than use Trex (recycled plastic and waste wood decking material) because, as she writes: “It is sooo ugly!”. We used Trex on a deck and a balcony several years ago and have been very happy with it. It does not burn feet in summer, does not shed splinters or need upkeep, and is already the soft grey of weathered wood. We plan to use Trex for the deck (station platform) which will go along the side of our caboose. However, Kate Whouley’s choice to reuse older windows and doors and in general to spend extra time and money to respect the original style and period of both of her small houses makes good sense to me.

Cottage for Sale documents the small sequence of choices the author made to give a meaningful and useful shape to her home. William Morris:”Have nothing in your house that you do not know to be useful, or believe to be beautiful.”

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Natural Bridges, near Columbia, California

Last Thursday, as part of our vacation at 10th week of the
Lair of the Golden Bear
family camp, we spent a day at Natural Bridges
near
Columbia
, California. Columbia is a former California Gold Rush boom
town that lives on as a state-preserved historic park and a National
Historic Landmark. Natural Bridges is about an hour’s drive downhill
from
Pinecrest
, the tiny town near the Lair.

The turn off to the Natural Bridges trailhead is just past the long bridge
over the reservoir:


Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges  August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

If you go to Natural Bridges, bring a swim suit, water shoes, towel, lunch,
water and an inner tube or some kind of big water float. The deep stream
running through the caverns is very cold; it is more fun if some of you is above
the icy water. Water shoes help when walking on the slippery stones.


Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges  August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Even in summer, the floor of the big cavern is under water but the
stalactites, limestone
formations, and waterfalls of this living cave are spectacular. There
are three areas in the cave: the entry chamber at the base of the trail,
the vaulted middle chamber, and the exit chamber where the stream enters
the cavern. There are crawdads (crayfish – like tiny lobsters) and
little fish in the water.


Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges  August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

The abundance of water makes for lots of plants outside the cave,
including poison oak and
prickly blackberry vines. The steep hike downhill from the trail head
goes through a dry grassy border then enters a scrubby forest of
madrone and live oak and manzanita and California buckeye, with poison oak everywhere. At this time of year, hikers must avoid poison oak on
the ground and even vining through the trees. “Leaves Three – Let
Me Be”!


Natural Bridges  August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Natural Bridges August 2006,
photo: copyright 2006 Katy Dickinson

Images by Katy Dickinson (Copyright 2006)

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Cleo’s Baths, Pinecrest, California

On our vacation last week at the U.C. Berkeley

Lair of the Golden Bear
family camp, we spent a day at Cleo’s Baths
above
Pinecrest Lake
. Pinecrest is at an elevation of 5,600 feet in the Sierra Mountains. The lake has a dam and is surrounded by rustic family cabins.

Camp Blue of the Lair is only about a mile from the lake (walking
through Camp Gold) but at 8 a.m. last Monday, eight of us drove part way round the lake
so that we could start walking closer to the trail head. We took lunches, snacks, swimsuits, water shoes, towels, hats, and water bottles plus a
CamelBak water backpack and a
Katadyne water filter for refills.


Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

There are a variety of trail markers to Cleo’s Baths: some steel signs, some arrows
painted on rocks but mostly there are graduated piles of small stones to mark the
best trail. Here is my son sitting by the marker at the trail head:

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

The trail goes along the edge of the lake, then through fields of granite
boulders, alpine meadows, along the stream, and up granite walls edged with manzanita,
pine, and scrub oak. The walk is long and tiring on a hot day but the swim at the
end makes all worthwhile. Here is the view from Cleo’s Baths toward Pinecrest Lake:


Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Most of the trail has no view other than rocks, water, and plants but the details
are delightful:


Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo’s Baths itself is a series of deep cold pools and waterfalls. When we hiked there
last year, we only found two of the pools but this year, we found three more above
the main swimming area. Jumping off of a cliff into deep green water or sliding down a
mossy waterfall into a rock basin is a delight. One pool ends in a small cave with a
waterfall at the back; the falls are warm from the water going over hot stones above.
It is hard to leave.


Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Cleo's Baths August 2006,
photo: copyright 2006 Katy Dickinson and John Plocher

Images by John Plocher and Katy Dickinson (Copyright 2006)

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Poot’s House of Cactus

On our vacation last week, we went by
Poot’s House of Cactus
twice – driving into the Sierras and then going home. In the
14 years we have been camping at the U.C. Berkeley

Lair of the Golden Bear
in Pinecrest, California, we have always
meant to stop at Poot’s. This year, we finally did. Poot’s is right
on the freeway between little towns and almond groves. It
has the most amazing cactus showroom and garden I have ever seen.
Only a small part of the collection is for sale. We came home with
six new plants (cacti, euphorbia, and succulents) and lots of photos.
Driving home with a truck full of kids, sleeping bags, dirty laundry, and cactus was interesting. Here is Poot’s
address:

    Poot’s House of Cactus

    Unusual Plants from Around the World

    17229 E. Highway 120

    Ripon, CA 95366

    Telephone: 209-599-7241

Here are some of my photos:


Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson


Poots August 2006,
photo: copyright 2006 Katy Dickinson

Poots August 2006,
photo: copyright 2006 Katy Dickinson

Images by Katy Dickinson (Copyright 2006)

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Caboose WP695 in Jamestown

As part of our vacation last week, we visited the
Railtown 1897 State Historic Park
in Jamestown, California, in the Sierras. We have several railfans in the family,
including Daniel, my little nephew. One of the exhibits was a caboose without
markings and much-modified but which we recognized as a sister to our own WP668.
We spotted her original designation still faintly painted on the frame underneath.
She is indeed Western Pacific caboose #695, now serving as the crew office at
Railtown 1897.


Caboose August 2006,
photo: copyright 2006 John Plocher and Katy Dickinson


Caboose August 2006,
photo: copyright 2006 John Plocher and Katy Dickinson

Caboose August 2006,
photo: copyright 2006 John Plocher and Katy Dickinson

I looked her up on the
The Western Pacific Caboose List
and the
Central California Rails Caboose Index
and found WP695 correctly listed
as being in Jamestown. I also found a book in the museum store:

Western Pacific Color Guide to Freight and Passenger Equipment
by Jim Eager (2001, Morning Sun Books, Inc., ISBN 1-58248-063-X) which not only
has a color photo of WP695 but also a photo of our own WP668 on page 122.
The text is:

    WP 668 NE series 644-668

    Converted in October 1943 and still two years away from retirement, the 668
    was at Sacramento in September 1974. That is the axle-drive for the generator
    silhouetted inboard the right hand truck. (Peter Arnold)

We were interested to see how the museum’s stock was blocked from rolling.
Most of it wasn’t but then Jamestown is not in earthquake country. Two examples
we did see of wheel blocks:

Wood wheel block:

Caboose August 2006,
photo: copyright 2006 John Plocher and Katy Dickinson

Chain wheel block:

Caboose August 2006,
photo: copyright 2006 John Plocher and Katy Dickinson

Images by John Plocher and Katy Dickinson (Copyright 2006)

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