Category Archives: Church

Process Success Measures

In 2002, I gave a lunchtime presentation on process design to Sun’s Six Sigma Black Belt community. In that talk I proposed two measures for process success. While any individual process will have its own particular success measures, two simple metrics for overall success for any process are:

  1. The process is used long-term by a variety of people.
  2. It is updated and improved by people other than the ones who created it.

I was reminded of those key measures this week when I used two very different but successful systems for which I have had the honor to be one of the architects:

  1. Sun Labs’ Archivist, an archival and clearance system for intellectual property
  2. El Camino Real Department of Missions (DOM), a management system for small congregations, many of them working and worshiping across cultural lines

Both the Archivist and DOM systems have now been in use for many years and are successfully managed by people who were not involved in their original development. I am proud of these projects and their phase transition from development to long-term sustained use. I am also pleased to see how well their pattern matches the two success metrics I proposed in 2002. Below is more about Archivist and DOM.


Sun Labs’ Archivist

In 2000, James Gosling, Jos Marlowe, and I started a two-year project to create a new archiving and clearance system for Sun Laboratories. You can read some of the history of this system in “Sun Labs: The Second Fifty Technical Reports A Commemorative Issue” by Jeanie Treichel, Katie Chiu, Christopher Wu and Jeanne Wang (Sun Labs Report TR-2009-101, published in March 2009).

We based the process for Archivist on a system created while I was the Process Architect for the Sun Standards group. That group needed a fast way to submit contributions to an SSO (Standards Setting Organization) such as the IETF (Internet Engineering Task Force), while protecting Sun’s intellectual property. Part of the SSO submission system was the Technical Information Clearance Process (TICP) which was a core piece of what became Archivist. The SSO submission process project team included Carl Cargill, Catherine Mccarthy, Lisa Goldman and Philip Rosenzweig. Sadly, Phil Rosenzweig died on one of the planes in New York City on 11 September 2001, before the SSO submission project was complete.

Here is the original Executive Overview for Archivist from 2000:

    Sun Labs is faced with a dilemma: we wish to derive the benefits of quality control and process while at the same time shortening our time-to-release. In particular, we wish to protect our intellectual property and increase our patent portfolio while simultaneously speeding up the time it takes to review technical information prior to publication. This process architecture is our attempt to resolve the dilemma. The Archivist is both an archival mechanism and a clearance process.

Think of The Archivist clearance process as a state dinner: the menu is fixed and protocol is closely observed. Think of The Archivist Fasttrack as a scramble-bar cafeteria where one can select individual dishes. The advantage of a state dinner is that it is safe, repeatable, and the participants know exactly what to expect (with regard to structure). The advantage of a cafeteria is that it is flexible and very fast. We expect that as the Fasttrack cafeteria grows in its selection and quality of service, the volume of users will shift from The Archivist clearance to Fasttrack clearance: thus, cycle time will be greatly reduced.

Here is the 2000 description for use of Archivist for clearance and archiving:

Clearance is distinct from archival. Archived material may or may not go through clearance.

Examples of archived material are:

  • An email or a note describing an idea
  • Audio and video tapes
  • Objects (such as boards)
  • Letters
  • Notebooks

Examples of documents that have been cleared are:

  • White papers (either on paper or the web)
  • SML Tech reports (paper or web)
  • Third-party publications (e.g. conferences, encyclopedias)
  • External presentations

Rule of thumb: if you think your document will be leaked or by any means published outside, use the process.

Sun Labs started in 1991, so Archivist was not the first archiving system for Sun Labs but it has been by many times the longest lived. In creating Archivist, we identified two key customers: Ivan Sutherland (Sun Fellow and Vice President), and Jeanie Treichel (Sun Labs founding Program Manager and Technical Reports Editor). Ivan Sutherland is famous in Sun Labs for his saying “It’s not an idea until you write it down.” There were many other reviewers and contributors but we knew that if Ivan and Jeanie were happy with Archivist, it would be good enough for everyone else.

Archivist has gone through several major revisions since it was created in 2000. It has been used by hundreds of Sun Labs staff in the US, UK, and France to enter over ten thousand items. Archivist continues in active use today under the management of Sun Labs’ technical staff.

As of now, I have 113 of my own documents entered into Archivist. Recently, Helen Gracon and I entered into Archivist most of the key documents from the Mentoring@Sun program. More about Mentoring@Sun is available in the recent Sun Labs Technical Report “Sun Mentoring: 1996-2009” (by Katy Dickinson, Tanya Jankot, and Helen Gracon).


El Camino Real Department of Missions

From 2003-2007, I was the volunteer Convener for DIEM (the Department of Intercultural Evangelism and Mission), providing oversight, finance, and management support to thirteen mission congregations (Latino, Anglo, and Asian) of the El Camino Real Episcopal Diocese. I served as Convener under two Bishops: the (late) Right Reverend Richard Shimpfky, and the Rt. Rev. Sylvestre D. Romero.

2003-2007 was a difficult time of transition for our diocese but nonetheless the elected and appointed DIEM members developed a solid process for Mission Liaisons, as well as the “Mission and Vision” structure for the missions as a group. The “Mission Congregation Liaison Job Description” was only one page long but it represents an amiable solution to years of discussion on how best to provide mission oversight.

In 2008, I was elected to DOM (the successor to DIEM) for a three year term. At last night’s monthly DOM meeting, I was pleased to get slightly updated versions of the process documents DIEM created in 2005 while I was Convener. DOM and its nine remaining missions is now managed by our new Bishop, the Rt. Rev. Mary Gray-Reeves, with the Rev. Canon Jesus Reyes acting as Convener.

28 March 2014 and 6 January 2018- links and formatting of this blog post were updated

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Chocolate Dinner for SMUM

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On 17 October 2009, Saint Timothy’s Episcopal
Church
(“St. Tim’s”) in Mountain View, California held a fund raising formal
dinner and auction called
“A Feast of All Things Chocolate”
to benefit
Santa Maria Urban Ministry
or SMUM. Peggy Aoki was the head chef,
assisted by

Jennifer Ezell
of St. Tim’s. The cooks clearly had fun putting together
the meal, especially the desserts. Both dark and white chocolate fountains were
offered for dipping strawberries and cake. My favorite was the ganache in
shortbread boats. St. Tim’s youth served the dinner. The event was hosted by the
Vestry (elected church leaders).
We won certificates for two custom made cakes in the silent auction.

My husband John Plocher
and I are on the SMUM Board of Directors and were asked to speak about SMUM
and why we support it.
Some of what we said:

Santa Maria Urban Ministry was founded as an outreach ministry of the
Episcopal Diocese of El Camino Real
in 1983, providing emergency food to the residents of San Jose’s inner city.
SMUM is a partner agency of the
Second Harvest Food Bank
, and has been
designated to serve those in need within the eight Central San Jose zip codes.
SMUM provides basic services to meet short-term needs, such as food, clothing
and referral services, and by supporting long-term transformation through
education, counseling and seasonal programs.

John and I have been helping mentor a dozen or so grade and middle school kids
in the after school program for several years. During the school year, we
focus on homework and computer skills. Last summer, we went on field trips to

The Tech Museum of Innovation
, the
Monterey Bay Aquarium
, and the
San Francisco Zoo
.

Due to a shortage of regular volunteers, the after school program is only open on
Tuesdays and Thursdays, but we could be open every weekday if we had
more adults available. Sometimes we have too many high school students earning
service hour credits; what we need is adult volunteers. When we started, John’s and
my qualifications were minimal – a desire to help, a couple of hours a week and a willingness to learn Spanish from a first grader! Since then, the kids have
stolen our hearts. Our Spanish is improving slowly.

SMUM now has an operating budget of about $200,000/year, of which less
than 15% comes from the Episcopal Church.
More than 100 families a week from come to the facility for basic
foodstuffs to supplement what they are able to buy with food stamps.
Dozens of homeless clients get hygiene packs and clothing as well.

Several dozen children are part of the preschool and after school
homework/computer programs. Many Latino clients work seasonally in the
central
valley
as fieldworkers and move to San Jose on the off season to work in the
construction and service areas. Unfortunately, it is still somewhat
the norm in that community for young teens to drop out of school to babysit younger
siblings or to go out to work along with their fathers, brothers and
uncles in the fields. SMUM’s after school program has two goals:

    • Every child will feel safe and cherished.
    • Every child will be encouraged to complete high school.

A Feast of All Things Chocolate, Photos

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SMUM, Photos

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Images Copyright 2009 by Katy Dickinson and John Plocher

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Chick Flick Nite

Every few months, the women of
St. Andrew’s Episcopal Church
(Saratoga, California) have gathered for Chick Flick Nite. Marian Abbott
coordinates the event on behalf of the
Episcopal Church Women (ECW).
We started a year ago with
“Calendar Girls”,
followed by

“Miss Pettigrew Lives for a Day”
, then

“Shall We Dance?”
. Last Friday, we dressed up for Halloween and watched

“Young at Heart”
. We bring snacks and enjoying snickering and
laughing out loud in the company of women.

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Images Copyright 2009 by Katy Dickinson

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How to Run a Church Convention

The Episcopal Diocese of El Camino Real held its Diocesan Convention 2009 last weekend. I was a Delegate from  St. Andrew’s Episcopal Church (Saratoga, California) and my husband, John Plocher, was an Alternate Delegate and also backed up Web Sacristan Stephenie Cooper in managing the information flow to the big screen. Our son Paul was a convention Youth Representative for the first time. This blog entry is to document how Stephenie and John set things up so that there is a record for our own future use (and because it might be of use to others). This blog does not provide much information about the sound system, which had a separate crew managing it.

Ours is not a big diocese, there are 47 parishes (church areas) between Nipomo and Palo Alto on California’s central coast, with 189 possible lay Delegates and 134 possible clergy Delegates. Our leader is Bishop Mary Gray-Reeves. There were 200 to 250 people in Sherwood Hall (Salinas) during the two days of convention. Sherwood Hall has a raised proscenium-style stage which is forty feet deep and sixty feet wide.  Here are some diagrams John drew of the stage layout and hardware, plus photos of what it looked like in the hall and behind the big screen:

StageLayout

AVLayout

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Overview

Stephenie has been running the computers for convention for many years; this is John’s first time. The computer resources required to run convention have been doubling or tripling each year. The big screen presents everything at convention, including the agenda, instructions, song lyrics, the text of resolutions and ballot lists, plus videos and slide shows. The convention has a somewhat flexible schedule since resolutions may be amended, discussions may go longer or shorter than planned, and people may arrive with a video or slide show to add that is unexpected or does not match what they said they would bring. The convention follows Robert’s Rules of Order for meeting procedure.

Stephenie lives near us, so she and John mocked up the convention audio/visual layout at our house in the weeks before the event. They used almost every laptop we had plus monitors borrowed from the computer lab at SMUM (Santa Maria Urban Ministry). John bought about $125 in bits and pieces to put everything together.

Stephenie and John relied on PC and Mac laptops using simple and standard tools. That is, the displays used the same hardware and software tools with which the information was originally put together. There was no special software package. Reusing standard pieces allowed quick responses plus maximum flexibility, additions, and changes during the event. There was much dynamic interaction and modification of both music and meeting content.  In general, Stephenie ran the screen while John queued material and coordinated with people who came backstage to add or change or discuss what was coming next.

The convention had very few computer problems this year. Every once in a while, during a transition we in the hall would hear a voice coming from behind the screen saying “almost ready…” Of course, several people replied with  “Pay no attention to that man behind the curtain.”  Here are John’s notes:

Requirements

  • Working from a detailed master agenda that is subject to real-time revision:
    • Project desired content on main auditorium screen where it can be seen by delegates and head table.
    • Show slideshows, movies and presentations authored and produced by others.
    • Show song lyrics – and follow along verse by verse as sung.
    • Show announcements (break, lunch, count down timer).
    • Show resolutions:
      • Modify to show motions to amend in progress.
      • Show total and individual debate limit timers.
      • Update as voting results dictate.
  • Show “default background image” whenever other content is not being displayed.
  • Allow real-time editing and addition of content – agenda changes/reordering, new songs, movies, resolutions, etc.
  • Synchronize activities to meeting in progress as dictated by the Secretary of Convention.
  • Do this all from a back stage position without direct views of auditorium or head table.

Hardware setup (see diagram above)

  • A 4-way Video Amplifier cabled to a local video monitor, the projector and a head table monitor.
  • The 4-way amp was connected to a 4-way VGA KVM switch that only used the “V” connections. This allowed us to easily choose the video source to be displayed from any of the 
  • 4 laptops, which were connected to external video monitors and configured to use both the laptop screen and the external monitor as an “extended desktop”.
  • 2-way VGA amps connected to each laptop so they could drive both the monitor and the KVM switch/video distribution amp setup. The use of a dual-monitor setup allowed us to edit and direct content from one screen while using the other as a potential video source (more on this below).
  • * The laptops were networked together via a local wireless hub/router that was also connected to
    • A 320GB networked hard disk for shared file storage
    • A networked video camera (Axis 2100) aimed at the head table
    • A color copier/scanner/printer

Operation

  • All systems were set up to use the convention “image” as the default desktop screen background, so that when no windows were open, their “second” display could be used as a placeholder video source.
  • One system was set up to be the presentation and movie display host.
  • Quicktime, powerpoint and other software was loaded onto it, and its “headphone out” audio jack was connected to the house sound system.
  • Another system was set up to show the Axis video camera’s display on its primary screen so to get visual feedback cues from the presenters.   (This could have been done with a TV monitor and inexpensive surveillance cameras instead.)
  • A monitor speaker was run from the house sound system so that John and Stephenie could hear what was happening in front of the screen and in the hall. There was also an audio feed into the sound system so that music and movies could play from the computers.
  • A third system was configured as a web page editing station in addition to being the primary content display driver. The content was accessed by special links from an annotated detailed agenda that sported additional presentation cues, such as “SONG”, “RESOLUTION 1”, “LUNCH ANNOUNCEMENT”, “MISSION MOVIE”, etc. All content on this system was in HTML, and the special <href> links on the detailed agenda (and on the song lyrics index page) were of the form <A …. target=”projector”>…</a>. This allowed us to display the detailed agenda and song lyrics pages iin a browser window on the laptop screen, and have the “projector” window that popped up when a link was clicked positioned “fullscreen” on the second monitor.
  • Displaying any piece of content was as easy as clicking on its cue.
  • The last system displayed a copy of the detailed agenda. Its second display was cued with a copy of the 1-page simplified agenda used by the delegates.
  • This proved to be useful in coordinating a presentation and lyrics from two systems or to pull up a default display during breaks.

Thoughts for next time

  • Bring and use at least 4 video monitoring cameras so that backstage can see the head table, the presenter’s lectern, the musicians and the delegates/audience.
  • Being limited to only one of these shots made coordination and timing difficult.
  • If there had been more debate on the resolutions, we would not have been able to closely coordinate timers, motions and the like.
  • Move the main display screen up from the stage by at least 8 feet to get it out of the direct and reflected stage lighting (improves sight lines, heightens contrast).
  • Choose a sans- style font and a better background/foreground color contrast for greater visibility in the large hall. Play to the eyesight of the most senior members of the group.
  • Develop a stage lighting diagram at least 2 months before convention so that the Sherwood Hall AV and IT staff in Salinas can work with us to optimize things. Use an 8-1/2″ x 11″ sheet of paper – same proportions as the actual 40′ x 60′ stage.
  • Get a projector that has at least 2,000 Lumens.
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Images Copyright 2009 by Katy Dickinson and John Plocher

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Shop for a Cause

I spent last Saturday morning sitting at a table in the Valley Fair
Macy’s shoe department distributing discount tickets
in exchange for $5 donations to Santa Maria Urban Ministry
(SMUM). My husband John Plocher and I
are on the SMUM Board of Directors. We also volunteer in SMUM’s after-school homework and
computer lab program for grade school kids.

Edy Unthank
(SMUM’s grant writer, also on the Board) had arranged for SMUM to be one of Macy’s
“Shop for a Cause” program
charities. Macy’s contacted the organizations which sold the most tickets and offered us
each a table next to one of their entry doors so that we could sell even more. I put my orange
and yellow Mexican blanket on the table, set out a big bowl of candy and SMUM brochures, set
up my laptop to loop John’s
SMUM video
, and asked every shopper I could to accept a 25% discount ticket in exchange
for a $5 charity donation. In four hours, I collected 68 donations! Edy took the afternoon
shift and collected 40 more for a total of $540 (see photo below). We snooped one of the
other charity tables last Saturday and were told they had only sold $135 worth of tickets
all day – so SMUM did very well. Including the tickets we sold in advance, SMUM raised over
$1000 from this program.

Thanks, Macy’s!

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Image Copyright 2009 by Katy Dickinson

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Blessing the Animals (Horses in Church)

Last Sunday was the popular Blessing of the Animals service at
St. Andrew’s Episcopal
Church (in Saratoga, California). We took our two cockatiels (Simon and Garfunkel) to church in their cage. The blessings started with two draft horses and a very-small-looking regular horse cloping down the aisle.
Our birds are not shy so they made loud squawks during
the sermon. There was much dog visiting and some barking on this one day
when the animals come to church to honor
St. Francis of Assisi
. The first hymn was from 1848:

All things bright and beautiful,

All creatures great and small,

All things wise and wonderful:

The Lord God made them all.

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Images Copyright 2009 by Katy Dickinson and John Plocher

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Three Bishops Visit San Jose’s Inner City

For the last two years, my husband John Plocher and I have been volunteer after-school tutors once a week at Santa Maria Urban Ministry (SMUM) in the inner city of San Jose, California. Today, SMUM hosted a lunch and tour for three bishops: our own Bishop Mary plus the two Bishops of our Companion Diocese who are visiting this week:

John and I were invited both as volunteers and because we serve on SMUM’s Board. I wore the Tanzanian dress I bought yesterday from Margaret Mpango (Bishop Gerard’s wife). Rev. Lorenzo Robles, his wife Carmen and the SMUM volunteers told the Bishops and their staff about the many programs managed out of this small building, including: food and clothing distribution, a preschool and after school program, tax services, a computer room, family counseling, and soon: a small medical clinic.

Katy and Tanzanian Visitors

Katy and Tanzanian Visitors, SMUM San Jose California, Margaret Mpango, Epiphania Nkala, Katy Dickinson, Daniel Nyugwa, Gervas Ntahamba
photo: copyright 2009 Katy Dickinson
Greetings at SMUM

Greetings, SMUM San Jose California, Mary Gray-Reeves, Gerard Mpango, Michael Perham, Joanna Shreve, Jesus Mario Murillo, Daniel Nyugwa, Gervas Ntahamba, Amy Denny-Zuniga
photo: copyright 2009 Katy Dickinson
SMUM Presentation

SMUM Presentation, San Jose California, Lorenzo Robles, Carmen Robles, Mary Gray-Reeves, Gerard Mpango, Michael Perham, Ann Wright, Jesus Mario Murillo, Daniel Nyugwa, Robert Seifert, Gervas Ntahamba, Epiphania Nkala, Brian Nordwick
photo: copyright 2009 Katy Dickinson
Lunch Line at SMUM

Lunch Line at SMUM, SMUM San Jose California, Carmen Robles, Mary Gray-Reeves, Gerard Mpango, Michael Perham, Daniel Nyugwa, Margaret Mpango, Robert Seifert, Jesus Reyes, Gervas Ntahamba
photo: copyright 2009 Katy Dickinson
Lunch at SMUM

Greetings, SMUM San Jose California, Michael Perham, John Plocher, Lawrence Robles, Carmen Robles, Daniel Nyugwa, Gervas Ntahamba
photo: copyright 2009 Katy Dickinson
Reading Email at SMUM

Reading Email at SMUM, San Jose California, Daniel Nyugwa, Margaret Mpango, Katy Dickinson, Gervas Ntahamba
photo: copyright 2009 Katy Dickinson
3 Bishops, Carmen, Lawrence

Three Bishops at SMUM, San Jose California, Mary Gray-Reeves, Gerard Mpango, Michael Perham, Lorenzo Robles, Carmen Robles
photo: copyright 2009 Katy Dickinson
Bishop Gerard & Carmen

SMUM, San Jose California, Gerard Mpango, Carmen Robles
photo: copyright 2009 Katy Dickinson
3 Bishops with computers

Three Bishops with computers at SMUM, San Jose California, Mary Gray-Reeves, Gerard Mpango, Michael Perham, Lorenzo Robles, Carmen Robles, Katy Dickinson, Epiphania Nkala
photo: copyright 2009 Katy Dickinson

Images Copyright 2009 by Katy Dickinson and John Plocher

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